B
ack at the Farley House, we set up the sitting room with extra tables and jewel-colored swaths of fabrics, to serve as tablecloths. The cards were placed out in neat lines, displaying the freshly stamped fronts and cute, little gift tags in time for Christmas. We set necklaces, bracelets, earrings, and sets up on partial busts, Scrabble tile holders, and in configurations on flat table as presentable as possible. In the end, entering the cozy room from the Colonial foyer was impressive and quite pretty. All that inventory cleaned up real nice. Soon after the set up (and after Annette, the Farley House keeper, also set the dining room up with sweets and teas of which I can still recall the caramels and the gooey coconut bars with hot Nilgiri tea), the first of the visiting ladies arrived. Between the fellow volunteers and the few Ruhamah girls that had joined us (a couple had decided not to come after work), you would be hard-pressed not to find help shopping the room or checking out. Rilla hoovered over the "cash register," where she double-checked our rupee-math with an eagle eye. There was a full-length, Victorian-style mirror set up in the corner, where women tried knotted wooden bead necklaces against their saris or dangled seed bead bracelets around their slender wrists. It was touching to watch the rescued ladies watch the sales, listen to the tally of rupees coming in. You could tell their eyes were opened--as their eyes actually widened--to the possibilities of business. They were proud, too.In the end, we sold quite a bit (a huge amount to ourselves) and made a sizable sum for Ruhamah. I hope it was enough to spring them forward into their future, into the internet launch and their new designs. Women noshed around, little blue and gold be-ribboned boxes in one hand, a plate of candies or a saucer balancing a tea cup in the other. They chatted in low voices, exclaimed loudly about the jewelry lines, the ribbon cards, the tasty bites.
After which we made our way upstairs and onto Arielle's and my beds, where we divided the remaining inventory up into what we wanted to purchase or put back in Ruhamah inventory or to sell back in the US. It took awhile, and we are all laughing together, talking about the day and about random things. Things fade into getting ready for bed, Sarah is blogging on the laptop in her pjs and I have packed the best that I can, considering I may have more souvenirs after the next morning and less room than I need, already. We ate at some point. I can't remember where or when. Did we visit The Garden again after the sale? Is that the night we sat at the circle booth in the middle and I had more chili ghobi and dosa and a sweet lime water? (By now my stomach was pretty unforgiving.) Was that the night we went from coffee shop to coffee shop as they closed? Begged a record store to open back up for a couple CD sales? Jumped under a dropping sliding door as a bread shop closed? No, that last one must have been earlier in the week. Time is wiping the details. Malaise and exhaustion while in India don't help.
To bed, to bed. I think, "This is my last night," but I can barely keep my eyes open. I still wake in the night to feel the cold house, the ticks and creaks in the silence, remember the first night when the wind rushed the tree tops like a waterfall in the dark and I thought Ooty must always be loud and mysterious at night. I fumble for my glasses in the black of the room, shiver slippered down the hall, bouncing the beam of my flashlight against the bathroom door. I wash up in cold water, return to bed, and feel the weight of nine blankets pressing the cold out of me. I slip away again from the silence, the light breathing, the chilly and dark woven together in a single sensation.
N
ow, in America, I think of leaving the shop in the afternoon; it makes my hands tingle. Sometimes I get that sensation, when I am hostage to something permanent. It is hard for me to deal with this sort of permanence, I think from losing my brother as a child. It always makes the palms of my hands feel queer, and sometimes the insides of my forearms, like something is slipping out of my grasp. Imagine grasping something in your hands or hugging it hard to yourself, and then having it pulled away. On your skin and in your soul, something isn't right. Hollowness is a lightness pushing on your palms.There was a small point in time when I realized I had to gather my things at the Ruhamah shop, to leave. Another point, I realized that I would not be coming back. Another, I noticed that we were going to be leaving sort of in a hurry and also while doing something else; loading inventory in the cars, heading to the sale. Embarking on another adventure. Melancholy washed over me, but there were things to do. These moments, like all others, were transient. The brick red floors, the white walls, all pock-marked and utilitarian, slipped away from me even as I stood in the room, tried not to walk away, tried not to move out the door, stared around at the work tables cluttered with work, the stacks of bead jars, the chai cups neatly rinsed and stacked with the chai pot, people moving through the space in blurs of movement and color.
We piled all of the inventory and display supplies into a couple cars: I got to ride in the back of a stripped-out utility Jeep. The shocks on the Indian roads were rough, but it felt like an adventure, sitting sideways on the benches in the back, closed in with a flap of plastic loosely separating us from the world receding outside. India became smaller out the back, one person and building and motor rickshaw at a time. I braced for the drops into the potholes, held my lumpy bag to my chest, applied Burts Bees chapstick, embarking on yet another journey, as every day is.



























